Reframing is a powerful perspective-changing tool with which someone takes a thing out of its expected context and forces the viewer to re-experience it as something that completely changes his or her mind about it.
Ronald Reagan did this to Jimmy Carter in 1980. President Carter was going on about something anti-Republican in that year’s debates, and Reagan busted him up on national television saying “There you go again…”
And in ’84, when a much-younger Walter Mondale was trying to make his opponent seem too old, Reagan replied that he had no intention of making an issue of the Democratic candidate’s “youth and inexperience.”
For those readers that were born after 1984, let’s take an example served up to us by director Quentin Tarantino. At the end of part one of his two-act play Kill Bill, Tarantino uses a piece of music that I’ll bet for thirty years had been laughed at as “lame” and “girlish” to thunderclap the piece to a close. It’s James Last (and oh yes, I remember James Last Does His Thing on LP from my childhood) and pan flute player Zamfir combining for “The Lonely Shepherd”, backed by a rockin’ updated bass and horn beat. Now Zamfir may have sold 40 million recordings, but did you ever hear anyone offer up one of his albums as a Saturday night suggestion?
This is the power of reframing. Millions of people who never heard of Zamfir and never would except for Tarantino’s winding of a flute-playing Bill into the mix were exposed to this music and loved it. For those of you who need to listen to it now, it’s here.
That’s the power of reframing. How can you use it to turn what was the geeky and awkward into a success? If you’re looking for ideas personalized to your situation, let me know.
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OK this is an “idea” post. Comment, disagree, whatever. Participate!
There’s a guy named L.E. Modesitt, Jr. (I don’t think we should hold that against him, though I do wonder why you’d choose to be a published author who goes by his initials–“What do I call you, Le ?”) I’ve read exactly two books of his, and they were both recommended to me by a friend who I think has Big Brain. This one is called Adiamante…I think that’s Spanish for diamond…and in it, Modesitt does the shocking thing of writing down his rules about how society can actually work. The whole novel is in fact a psychological suspense story that rests on the fulcrum of a moral dilemma (yes, I’m using the word dilemma in its correct meaning): when should we apply force to ensure our way of life continues? Early on, or later?
I highly recommend Adiamante, not for the prose but for the clarity of ideas. Modesitt has lain down two documents, the first being The Paradigms of Power (about morality and mutual respect in society), and the second being The Construct (about when force ought to be used, juxtaposed with retaining one’s own sense of moral right in a dog-eat-dog universe). Pretty much it’s an argument for holding off on delivering violence until the last possible moment, giving the other guy the chance to come to his senses and survive too. Of course, you have to have a big–though assuredly hidden–stick. These aren’t fictional ideas. They’re excellent and I see ways to implement them in everyday life.
In contrast, there’s a guy named Donald Kagan who compiled a tome called On The Origins of War And The Preservation Of Peace. Seriously, the second part of the title is way smaller. Anyway, one of the recurring messages in his review of the Romans responding to Carthage’s aggression between the two Punic Wars, and the European powers in the mid-1930s reacting to NAZI military buildup of Germany, is this:
If smackdown was delivered earlier, a whole lot of trouble and loss of life could have been avoided.
So tell me, gentle reader, which is it for you? Why? Should force be the first or the last thing we should apply when confronted by our “enemies”? In any case, both these authors make an excellent case for writing things down, so we can think about them for ourselves–rather than have the answer dictated to us.